Sunday April 18

 

7:00 PM

 

Innis Town Hall

 

Competition Program 6

Barbara Hammer's Resisting Paradise
 

Resisting Paradise

Resisting Paradise

 
ING
 

New College

 

Barbara Hammer in person!

Resisting Paradise
Barbara Hammer | USA | 16mm | 80 min. | 2003 | Featuring Claude Duthuit, Lisa Fittko | Canadian Premiere

Barbara Hammer’s unerring eye for fascinating, hidden histories takes her to Cassis, France, where she investigates two very different kinds of lives lived there during WWII: those of the painter Matisse and of the anti-Fascist Resistance fighters.

Resisting Paradise addresses tensions that have informed all of Barbara Hammer’s work: the tension between the desire to produce works of visual beauty and the impulse to agitate for social change. Like many of her films, it uncovers a little-known history. During WWII, the lovely town of Cassis in the south of France provided the light and landscape that inspired some of the lushest paintings of the modern era; it also became a point of departure for Jews fleeing the Nazi terror. Wartime letters between painters Pierre Bonnard and Henri Matisse are contrasted with the role played in the Resistance by Matisse’s wife and daughter. Hammer discovers the stories of heroic municipal workers who forged identity cards for Jews and antifascists such as Lisa Fittko, who helped Walter Benjamin in his attempt to escape over the Pyrenées. Archival images and the testimony of Matisse’s grandson Claude Duthuit and Resistance fighters such as Fittko disclose a fascinating and inspiring history, but the questions the film asks about the role of art during wartime remain urgent and contemporary.

Barbara Hammer has been called “the hardest-working woman in independent film” by Indiewire – an appropriate title for an artist who has made 80 films and videos since 1972 and won many important awards along the way. A pioneer of lesbian and feminist cinema, Hammer is best known for her trilogy of experimental features, Nitrate Kisses (1992), Tender Fictions (1995) and History Lessons (2000), which creatively use the cinematic archives to establish a place for lesbian women in the history of images.

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